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The Burning Room

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0 of 1 copy available

Detective Harry Bosch and his new partner investigate a recent murder where the trigger was pulled years earlier.

In the LAPD's Open-Unsolved Unit, not many murder victims die a decade after the crime. So when Orlando Merced finally succumbs to complications from being shot ten years earlier, Bosch catches a case in which the body is still fresh, but any other evidence is virtually nonexistent.

Partnered with Lucia Soto, a rookie detective who made her name in a violent liquor store shoot-out, Bosch begins to see political dimensions to the case - a case where, despite the seemingly impossible odds, failure to find the killer is simply not an option.

But not only does Soto soon reveal a burning obsession that could make her a loose cannon, the one piece of evidence they have on the Merced shooting also points in a shocking and unexpected direction that could unsettle the very people who want Bosch to close out the case.

It's looking like Orlando Merced may not be the investigation's only victim - and that includes Bosch himself.

'A modern-day master of crime writing . . . arguably the best detective series of our era.' Good Reading

'The finest crime writer working today' - Neil Cross, lead scriptwriter of Spooks and creator of Luther

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    • Publisher's Weekly

      Starred review from September 8, 2014
      An autopsy opens Edgar-winner Connelly’s superb 19th Harry Bosch mystery (after 2012’s The Black Box). Orlando Merced, a mariachi musician, was transformed into a symbol for urban violence by an opportunistic mayoral candidate when he was wounded a decade earlier, a random victim of a drive-by shooting. Merced’s death prompts a reexamination of the case, and Bosch and his young new partner, Lucia Soto, get to work. With his usual deftness, Connelly links the Merced shooting to an act of arson—an apartment fire that killed nine on the same day—and returns to his perennial themes: local politics, the media, the LAPD’s internecine warfare, and, of course, Los Angeles itself, from the wealthy enclaves of Mulholland Drive to the barrios of East L.A. Bosch is very much of the old school in this high-tech world, but his hands-on
      tenacity serves him and the case well—just as Connelly serves his readers well with his encyclopedic knowledge and gifts as a storyteller. Agent: Philip Spitzer, Philip G. Spitzer Literary.

    • Publisher's Weekly

      February 23, 2015
      In this latest entry in Connelly’s long-running Harry Bosch series, the driven detective, with only a year left before retirement, is assigned a new partner—a rookie named Lucia Soto—whose dedication to the job convinces Harry to become her mentor. Together they take on the cold case of a man who died of a lodged bullet from a gunshot 10 years earlier. But over the course of the investigation Harry discovers a hidden agenda of Lucia’s. Reader Welliver, who stars as Harry in the upcoming TV series, presents the third-person narration in a strong, no-nonsense manner, while catching every obsessive, blunt, impatient, hard-charging, department politics-hating, justice-demanding aspect of Harry’s dialogue and attitude. He distinguishes among side characters through their moods rather than creating unique voices or accents for each. There are disgruntled beat cops, angry captains, aggressive criminals—a cool female coroner here, a sly politician there. For the novel’s other main character, Lucia Soto, Welliver lightens his tone only slightly, adding an affected eagerness that, on occasion, can harden into an iron determination to get the job done. Just the type of partner Bosch can appreciate. A Little, Brown hardcover.

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