April 6, 2015
In Swyler’s whimsically dark debut, a damaged journal kept by the owner of a traveling freak show in the 18th century finds its way to Simon Watson, a Long Island librarian in the present with a family history that seems to be tied up in the mysterious tome. Simon’s mother, Paulina, a former carnival mermaid, intentionally drowned herself, leaving Simon to care for his sister, Enola, after their father eventually died from heartache. At the book’s outset, Enola, who also joined a traveling show, returns to the decaying family home where Simon still lives, fraught with worry over a series of bad tarot readings. As Enola’s behavior continues to concern him, Simon finds out from the book that women in his family all drown on July 24. As this date draws closer, Swyler alternates chapters of Simon’s narrative with the story that unfolds from the show’s log: it details how “Wild Boy” and tarot apprentice Amos came to be cared for like a son by proprietor Hermelius Peabody and fortune teller Madame Ryzhkova. The trouble begins once Amos falls for the mermaid Evangeline, who reminds Madame Ryzhkova too much of the woman she blames for the death of her father. The carnival chapters aren’t as engaging or convincing as they could be, particularly at key moments, although for the most part Swyler does a commendable job of juggling the various loose ends, and eventually weaving them together. A good deal of time is spent in Simon’s head, but Enola isn’t fleshed out enough. The author does get kudos for fabricating a fully formed mythos chock full of curses, omens,
and coincidences, all of which help make up for the story’s weak points. Agent: Michelle Brower, Folio Literary Management.