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Against Memoir

Complaints, Confessions & Criticisms

ebook
1 of 1 copy available
1 of 1 copy available
The PEN Award-winning essay collection about queer lives: “Gorgeously punk-rock rebellious.”—The A.V. Club
The razor-sharp but damaged Valerie Solanas; a doomed lesbian biker gang; recovering alcoholics; and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America’s fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways.
Delivered with her signature honesty and dark humor, this is the first-ever collection of journalistic writing by the author of How to Grow Up and Valencia. As she blurs the line between telling other people’s stories and her own, she turns an investigative eye to the genre that’s nurtured her entire career—memoir—and considers the price that art demands be paid from life.
“Eclectic and wide-ranging…A palpable pain animates many of these essays, as well as a raucous joy and bright curiosity.” —The New York Times
“Queer counterculture beats loud and proud in Tea’s stellar collection.” —Publishers Weekly (starred)
“The best essay collection I've read in years.”—The New Republic
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
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    • Kirkus

      September 15, 2014
      This second installment in the Chelsea Trilogy takes its 13-year-old heroine on a journey from urban blight through deep-sea magic. Sophie's adventure begins where her previous tale had ended, with her bones crushed to jelly beneath the violent, watery fist of her grandmother, the malevolent sea witch Kishka. Kept alive only by her own magic-for Sophie has inherited her grandmother's Odmience powers-Sophie is dragged into the healing depths of the ocean by her mermaid friend, Syrena. Far from the festering squalor of her home in Chelsea, Massachusetts, far from the noisy party boats kicking up a racket in Boston Harbor, Sophie begins coming into her magic at last. Together, Sophie and Syrena begin the long journey to Poland, where Sophie will have to save the world ("When I'm done with saving humanity, I am going to make my mom go on a booze cruise," Sophie promises herself). For this in-between trilogy adventure, Sophie primarily explores the richly described (if scientifically dubiously) undersea world as a warm-up for what will presumably be her epic final battle. She eats plankton and salt, wears a baby octopus in her hair and learns to control the currents. Primarily, Sophie reacts rather than acts; much of her role is to gain emotional revelations about friendship. Certainly the deep affection between Sophie and the foulmouthed, insult-flinging mermaid is apparent, if snark-filled. Much less grim than the series opener, with plenty of mermaid appeal for readers happy with lyrical but overlong musings. (Fantasy. 13-16)

      COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      October 1, 2014
      Grades 9-12 Grievously wounded by a tsunami created by her eviland powerfulgrandmother, 13-year-old Sophie is healed by her mermaid friend and mentor, Syrena, as the two swim toward Syrena's native Poland to find information that may help Sophie fight her grandmother. Here the journey is all; along the way, Sophie learns Syrena's story and her own heart becomes filled with stories and love, leaving her powerful enough, perhaps, to battle her grandmother. This whimsically illustrated sequel to Mermaid in Chelsea Creek (2013) can be read as a stand-alone story as the author prepares volume three in her offbeat Chelsea trilogy.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

    • The Horn Book

      July 1, 2015
      This sequel to Mermaid in Chelsea Creek takes Sophie deep under the ocean, as she and mentor mermaid Syrena journey to Syrena's native Poland, where Sophie will learn how to use her powers to save the world (presumably, in the trilogy-ender). Readers will miss the predecessor's gritty urban setting and pace; here, Tea's amateurishly lyrical prose misses its mark, and the plot moves slowly.

      (Copyright 2015 by The Horn Book, Incorporated, Boston. All rights reserved.)

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