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Leave the World Behind

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
NOW A MAJOR GLOBAL NETFLIX ADAPTATION STARRING JULIA ROBERTS, KEVIN BACON, ETHAN HAWKE AND MAHERSHALA ALI *A THE TIMES #1 BESTSELLER* *THE NEW YORK TIMES BESTSELLER* *A BARACK OBAMA SUMMER READING PICK 2021* 'Easily the best thing I have read all year' KILEY REID, AUTHOR OF SUCH A FUN AGE 'Intense, incisive, I loved this and have still not quite shaken off the unease' DAVID NICHOLLS 'I was hooked from the opening pages' CLARE MACKINTOSH 'Simply breathtaking . . . An extraordinary book, at once smart, gripping and hallucinatory' OBSERVER _______ A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong Amanda and Clay head to a remote corner of Long Island expecting a holiday: a quiet reprieve from life in New York City, quality time with their teenage son and daughter and a taste of the good life in the luxurious home they've rented for the week. But with a late-night knock on the door, the spell is broken. Ruth and G. H., an older couple who claim to own the home, have arrived there in a panic. These strangers say that a sudden power outage has swept the city, and - with nowhere else to turn - they have come to the country in search of shelter. But with the TV and internet down, and no phone service, the facts are unknowable. Should Amanda and Clay trust this couple - and vice versa? What has happened back in New York? Is the holiday home, isolated from civilisation, a truly safe place for their families? And are they safe from one another? _______ FINALIST FOR THE NATIONAL BOOK AWARD 2020 FINALIST FOR THE ORWELL PRIZE 2021 A DAILY TELEGRAPH, GUARDIAN, OBSERVER, IRISH TIMES AND TIME BOOK OF THE YEAR Everyone is talking about LEAVE THE WORLD BEHIND 'You will probably need to read it in as close to one sitting as possible' Sunday Times 'A page-turner taking in themes of isolation, race and class' Guardian 'A book that could have been tailor-made for our times' The Times 'A literary page-turner that will keep you awake even after it ends' Mail on Sunday 'An exceptional examination of race and class and what the world looks like when it's ending' Roxane Gay 'A thrilling book - one that will speak to readers who have felt the terror of isolation in these recent months and one that will simultaneously, as great books do, lift them out of it' Vogue 'Explores complex ideas about privilege and fate with miraculous wit and grace' Jenny Offill 'For the reader, the invisible terror outside in Leave the World Behind echoes the sense of disquiet today in a world convulsed by the pandemic' Financial Times 'Alam's achievement is to see that his genre's traditional arc, which relies on the idea of aftermath, no longer makes sense. Today, disaster novels call for something different' New Yorker 'Read it with the lights on' Jenna Bush Hager, October Book Club pick
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    • AudioFile Magazine
      Marin Ireland narrates a stunning audiobook that explores race, class, family, and global catastrophe. A married couple and their teenage children are on summer vacation at a rented secluded home in the Hamptons. However, the house's owners arrive unexpectedly after fleeing New York City during a mysterious blackout. While the situation is uncomfortable, the two families--one white and middle class, the other Black and wealthy--cohabitate and try to figure out what's happened. Ireland portrays all the characters with pitch-perfect nuances. The tensions that arise feel organic and very much of our time. Whether Ireland is focused on the character dynamics or omnisciently describing the terrifying events of the world at large, she delivers an unforgettable powerhouse of a performance. A.T.N. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
    • Publisher's Weekly

      Starred review from July 13, 2020
      In Alam’s spectacular and ominous latest (after That Kind of Mother), a family’s idyllic summer retreat coincides with global catastrophe. Amanda and Clay, married white Brooklynites with two children, rent a secluded house in the Hamptons for a summer vacation. Their “illusion of ownership” is shattered when the house’s proprietors, G.H. and Ruth, an African American couple in their 60s, show up unannounced from New York City. Widespread blackouts have hit the East Coast, and G.H. and Ruth are seeking refuge in the beach house they’ve rented out. The returned owners are greeted with polite suspicion and simmering resentment: “It was torture, a home invasion without rape or guns,” thinks Amanda. G.H. and Ruth, in turn, can’t help but wish their renters gone (“G. H.’s familiar old fridge yielded nothing but surprise. He’d not have filled it with such things”). But over a couple days, they form an uneasy collective as a series of strange and increasingly menacing events herald cataclysmic change, from migrating herds of deer to the thunder of military jets roaring overhead. The omniscient narrator occasionally zooms out to provide snapshots of the wider chaotic world that are effective in their brevity. Though information is scarce, the signs of impending collapse—ecological and geopolitical—have been glaringly visible to the characters all along: “No one could plead ignorance that was not willful.” This illuminating social novel offers piercing commentary on race, class and the luxurious mirage of safety, adding up to an all-too-plausible apocalyptic vision.

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  • English

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